album-track

The longest track on GENERATION ZERO is the quietest act of war on the album: pull the cable, boot localhost, and stop broadcasting.

Track eleven of These Worlds Are Made of Light is the drum & bass closer of the quiet arc: a necessary room, the attention it shelters, and a love that doesn't need a map.

The closing track of GENERATION ZERO compiles the state from scratch: self-hosted weights, bare metal, and a commit history of exactly one commit.

Track three of GENERATION ZERO watches a digital war lose to arithmetic: information is water, and ID checks don't work on math.

Track seven of GENERATION ZERO reads a quantum-mechanics joke as a commitment problem: infinite potential is a ghost, and choosing is the weapon.

Track nine of These Worlds Are Made of Light is the funk-comedy honest-cut: an evening that will not cooperate, logged with total accuracy and total affection.

The opening track of GENERATION ZERO turns an alphabet pun into a founding claim: Z was never the end of the line, it was the first index.

Track four of These Worlds Are Made of Light is the memory song at 160 BPM: a speed-run through every self you tried on, told to someone who laughed at all of them.

Track two of GENERATION ZERO audits the desktop metaphor as a con: the wallpaper was never the product, the daemons were.

The opening track of These Worlds Are Made of Light is about embodiment as authorship: a body you choose, a world you made, a self you mean.

Track six of These Worlds Are Made of Light makes the realist case: a private room with someone in it is a real place, and the practice you get there follows you out.

The Golden Hour mix of the live single is Pocket Universe with the words taken out — four minutes of progressive trance built to be blended, not sung.

Track four of GENERATION ZERO argues that attention is a render budget, and whatever you keep feeding the screen is what keeps existing.

Track eight of These Worlds Are Made of Light is the album's quietest love story: the one where the romance changes shape, and nobody leaves the room.

Track five of These Worlds Are Made of Light argues that the best hours aren't endless — they're chosen, and small on purpose.

Track two of These Worlds Are Made of Light is the flirt song: catboys, trackers, red hearts drawn in the air — and one plain demand, say it straight.

Track three of These Worlds Are Made of Light is the album's love song to distance undone: two windows, one shared home, built out of attention.

Track ten of These Worlds Are Made of Light closes the loop the album's title opened: in a sealed world of pure attention, the only exit is the person you're with.

The title track closes the album with the thesis the whole record argued for in scenes: not an escape — a place to grow, chosen on purpose.

Track six of GENERATION ZERO kills the old identity on-chain and elects itself: a song about creative destruction run on the self.